If you have a chase scene or a character walking through a home, youd put the word 'continuous' in the slugline, where youd usually have the time of day, to indicate on-going action. Naturally, if both the time and place change – like if your first scene takes place in his bedroom in the morning and the second scene in his backyard at night – it will have to be two separate scenes, too. The phrase 'continuous' is used in sluglines to indicate ongoing action. The sixth edition of this advice has been amended. Level 2 is a subsection of Level 1, and so on through Levels 4 and 5. A screenplay treatment is a document that contains a summary of a script, as well as other important information about the characters, plot, and setting. Then, the next thing the audience sees – the man waking up – would be a new scene because, even though it still takes place in the bedroom, it’s a new time. Level 1 is the most important or highest level of heading. What if you choose to write the scene this way: the man falls asleep at night, then wakes up and looks for his dog’s leash? Your first scene would show your character falling asleep.
Even if the time of day has stayed the same, it must be a new scene. The logline sits on its own page, between the title page and page one of your screenplay. Why? Because the place changed: the man has gone from his bedroom to his street. A logline is a one or two sentence summary of your story. The act of hearing Plot relevant objects that suddenly appear Scene transitions. The next thing that happens in the script is that the man steps outside with his dog and starts walking. For particular montage techniques there are specific scene headings. Your first scene might occur in the character’s bedroom, in the daytime, while his alarm goes off and he gets out of bed. Say you’re writing a straightforward, short screenplay about a man who wakes up in the morning and takes his dog for a walk.
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